All Rights Reserved. Wllers eye isnt just a mystery, but one of the running jokes that makes Dark so rich. Wheres he going? With all that in mind, they set out to make 1899, which follows the multicultural passengers of a migrant steamship heading west to leave the old continent, whose journey takes an unexpected turn when they discover another migrant ship adrift on the open sea. We thought: We really want to take a look at Europe, just take it, put it on a ship, in a confined space, with lots of ocean around, where you cant escape, and have like a little bit of an experiment, almost like a laboratory experiment. We planted it everywhere, but no one saw it yet. Can we change anything? One was we didnt want to do it and we were kind of pressured into it. The ending, knowing where youre going is one thing, but then finding the ways to get there is really a whole different challenge, said Friese. The series ends with a dinner party in the origin world. Jantje Friese was born in 1977 in Marburg, Germany. Friese: We didnt want to copy exactly the way we structured things inDark. Is this a hopeful note in your mind? If they are right-handed, they had to act with their left-hand, though it would appear as though they are right-handed. Do you wish there were more than three seasons to explore the story? What it's like to film a show in multiple-languages. Jantje Friese: What we really liked about 1899, not 1898 or 1897, is that its on a threshold. In the first season, he had it bandaged up, and in Season 2, he has an blackened eyepatch fitted into one lens of his glasses. Why dont we have that?. To mirror the world we know, we could either do that by rebuilding all of the sets. Dark Duo Jantje Friese and Baran bo Odar Add Volume to Their Process You really had a problem letting go, I think, Friese added., Yes. 1899: Creators of Dark Start Production for New Netflix Original-series The Hollywood Reporter is a part of Penske Media Corporation. No, we just forget them immediately. What do all the triangles and pyramids mean? And they love that show! I think its great. They would need to completely crash. That was one of the cornerstones to developing the third season. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. Dark: Here Are 8 Easter Eggs You Might Have Missed Amidst All Those Time Travel Shenanigans Although the show begins as the story of international immigrants on a steamship headed to America at the turn of the 20th century, by the end of the season we learn that the ship was a simulation, and our protagonists are actually on a spaceship in the year 2099. It should feel different, because you have this image of a big steamship going from Europe to America and immediately you think this must be the cube version ofTitanic. Thats what triggered the process. Then one day, I told myself: Lets forget about what theyre saying and listen to how theyre saying it. There are also a lot of things in Season 1 hinting to Season 3. The following interview discusses Season 3 of the Netflix . It was such an interesting time, that, unfortunately, was the build-up for a lot of terrible things that happened afterwards: With the First World War and then the Second World War, as people entered a new century, there was a lot of hope, but also a lot of fear, regarding new ideas and older ideas the old world versus the new world. It gives this other world a huge chance. ", "We're really bad at celebrating ourselves," he added. Friese: I think there is a lot to tell. And though he believes it's the way of the future of filmmaking, Odar stresses that it was still a ton of work. Ling Yi has a digital glitch in her arm, so clearly its something digital [at work on the ship]. When we got to the second season, we changed it again. You will have something very personal toward the story. Everything happens constantly in loops. Even after watching it, there is no such thing as a cursory consideration of its events; each and every character who lives in the fictional town of Winden, Germany is greatly impacted by one another, whether its because someone is secretly someone elses time-traveling father or, weirder still, their own time-traveling granddaughter. Whats the fundament of it all? It was really fun. "But then the pandemic happens. We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. Most people dont understand, that, because theyve never used it. Then you have the world of origin in the middle. Poguelandia is not quite the paradise the Pogues hoped. "We worked on a database where every scene is broken down under certain circumstances. Fans of Netflix's twisty time travel series Dark will be happy (although perhaps not surprised) to hear that creators Baran bo Odar and Jantje Friese's followup, 1899, is a real mind-bender. Subscribe for full access to The Hollywood Reporter. "To create worlds you need to create patterns, and the best way to create patterns is by using symbols," he said. Its what we love about this thing. I still think that young Katharina is related to Old Katharina now because they just look the same. In the Eliott Sumner version we use in the title sequence, the line that features so prominently is feed your head. That was such an important phrase for the entire show that it felt like the absolute right fit. . In the first season ofDark we still had stuff on the walls, but no one ever looked at it. The German creators of the cult mystery-thriller Dark forced their viewers to trust them. That's what we tried to do. '1899' First Interviews: Netflix & 'Dark' Creators - Deadline Friese: Also, we love objects that have multiple meanings. bo Odar: We dont have bad ideas. Sign up for our Email Newsletters here. FrieseThat was the whole point of the show. When Jantje Friese and her partner Baran bo Odar created their German-language science fiction series Dark for Netflix, they had no idea that it would become an international hit. The treasure hunt is just getting started. [Friese laughs] I played weird music the entire day and it became this very weird experience for everyone. That [story] was already during development for Season 1. Friese says she was bothered by this for the first few months actively working on the scripts for 1899, but, "At some point, we just said, 'Let's shake it off.' That's what we tried to do. They will never be able to overcome their inner longings, their ego. Its like it was with the dinosaurs inJurassic Park. bo Odar: We always think any piece of pop culture should be a reference to some other element of pop culture. It takes 60 seconds to spin and its a huge turntable. Entertainment Weekly may receive compensation for some links to products and services on this website. In the series, a boy goes missing in the small German town of Winden, and as the series unspools, viewers learn that secrets, time travel, and a metaphysical battle between good and evil are behind that mystery. 'Dark' Co-Creator Talks Season 3 Plans, Casting - IndieWire The past shapes you and everything that happens.. There are some stories that live on when there are still questions left open. I think you have to watch carefully, because every little piece means something. Get a behind-the-scenes look at the new mystery-thriller series. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. They have to realize that, yes, we suffer and we have pain and desires, but we two are not so important that we must exist so someone else cant be happy. That was the initial plan. Also the same as we did in Season 2 where we put a little bit focus on different characters like Claudia and Egon, were going to do the same in Season 3 and call some people up that had smaller parts. How do people cope with situations when theyre not able to speak the same language? And the rest is just virtual in it, even with digital extras, which we used for the first time, which they didn't on Mandalorian. It felt like unified Europe was slowly breaking apart, like every country was doing its own thing. Was this scene always part of the plan or was it something that developed in the writing? In German, its so negative. This is one of the first TV shows, afterThe Mandalorian, to use new LED Volume technology to create virtual sets. the prospect of diving into another twisty metaverse from the minds of Dark creators Jantje Friese and Baran bo Odar likely comes with equal measures of excitement and trepidation. 'Dark': Season 2's Insane Ending and All the Burning Questions Season 3 Needs to Answer "We hate green screen, always did. Baran bo Odar & Jantje Friese | Netflix Dark Season 1 Exclusive Interview John Mulaney's New Netflix Special Is a Critical Reminder About Celebrity Our idea was always to do Greek tragedy below it even though its a sci-fi show, a mystery show, in its core, its really about human relationships and how fucked up they can be.. ", Triangular symbols, such as those used in alchemy to denote the four elements, have popped up in the promo materials for the show so far. But the biggest challenge was actually for actors to play everything in a mirrored way. bo OdarI think we learned a lot to be honest, because it is a new tool. Friese: It was absolutely the perfect amount. One plus eight is nine. And what I just found so interesting about that, or what became even more clear to me, is that through language youre actually expressing culture. Even 24 frames per second, creating motion from still frames, thats the first illusion you create as a filmmaker. We realized that was insane to do on costs. It definitely has a new look: Not like green screen but also not the same as a classic set, something very much its own thing. So, in moving forward, lets assume you have watched all of Dark. Friese: Kerberos, for example, is a computer authentication protocol.
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