ibid., p. 22, Important Australian + International Fine Art. 11, Paris, Nov 2013-Dec 2013, 11 (colour illus.). ; Signed; . View Notes to Basquiat (1999) By Bennett Gordon; Synthetic polymer paint on linen; 182.5 x 182.5 cm. In his artists statement, composed as a letter to Basquiat, Bennett says: As Jill Bennett elucidates, Bennett does not simply imitate or act as Basquiat [Rather] he is interested in how Basquiats work might be encountered from a different place, and what happens when different accounts of history and experience are registered simultaneously within a given frame2, Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennetts highly sophisticated mimicry of Basquiats spontaneous urban style. In 1995 Bennett began making work under the name 'John Citizen'. Meet one of Australias most important contemporary artists, whose bold and playful works explore the politics of identity, Gordon BennettHome Dcor (Relative/Absolute) Flowers for Mathinna #2 1999acrylic on linen182.5 x 182.5cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2012 The Estate of Gordon Bennett. Open daily I was excited to find in the essay "Welcome to the Terrordome: Jean Far from being grounded in mere "recovery" reality embodied in the idea "that we are all alike underneath" is also 03 Jun 2014. Bennett, Gordon. Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. Selected new items on display in Main Reading Room. Gift of The Hon. With the invitation to exhibit in a contemporary art fair at New Yorks Gramercy Hotel as catalyst, in 1998 Bennett embarked upon his celebrated Notes to Basquiat series paying homage to the work of Neo-Expressionist painter Jean-Michel Basquiat the first African American to receive international art world acclaim who also shared a similar preoccupation with semiotics and visual language as instruments of marginalisation. synthetic polymer paint on linen. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the authors attitude or that of the period in which the item was created and may now be considered offensive. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. To learn more about how to request items watch this short online video . Sonia Boyce explores her own sense of self in relation to media images of blackness and whiteness in the work From Tarzan to Rambo Get to know Theaster Gates. revealed. Unfinished Business: The Art of Gordon Bennett - Art Almanac Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. (Ed.). We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. Measurements. Learn more. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. by Greg Tate which reads: "To be a race-identified race-refugee is to This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. Bennett updates this image in Possession Island (Abstraction) by concealing the indigenous servant beneath the abstract and conceptual style of Kazimir Malevich. McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999 . In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. (LogOut/ > Notes to Basquiat SAVE ARTWORK FOLLOW ARTIST. 120 x 80cm GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT: (AB) ORIGINAL, 1999, synthetic polymer paint on linen DIMENSIONS: 182.5 - 182.5 cm SIGNED: signed, dated and inscribed v . 1992 exhibition at the Whitney. What I had not realised is that he is also in an intense dialogue with himself and his earlier work. His intention in the Notes to Basquiat series is to 'highlight the similarities and cross-connections of our shared experience as human beings living in separate worlds that each seek to exclude, objectify and dehumanise the black body and person'. The University of Queensland, Brisbane Acquired with the Assistance of the Visual Arts and Crafts Board of the Australia Council, 1989, The Estate of Gordon Bennett Collection: The University of Queensland. Copyright or permission restrictions may apply. By quoting from a range of cultures and artistic styles, he questions and undermines colonial history and racist stereotypes. ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. Gordon Bennett Australia 1955-2014 Notes to Basquiat (Death of Irony) 2002 Synthetic polymer paint on linen / 152 x 304cm The Estate of Gordon Bennett. on exhibition catalogue front cover), Aulich, A., Visual Arts, The Melbourne Review, Melbourne, issue 21, July 2013, pp. NOTES TO BASQUIAT: LIBERTY, 2000. synthetic polymer paint on linen. Bennett died in 2014, aged 58. By Julie Ewington In Bennetts most anthologised article, acerbically titled The Manifest Toe, he describes his approach to art using an expression that is often used in critical rather than art theory: the politics of representation. Here we get to the crux of Bennetts contribution. Its vintage Bennett: taking no prisoners, refusing not to be furious, making viewers confront racism in all its sly expressions. 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. some essentialised past, they are subject to the continuous "play" of His colourful and thought provoking conceptual paintings, prints, performance videos and installations draw on many different sources and styles. Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. Typically, this is the style of contemporary art associated with ideology critique, unveiling systems of discrimination and oppression like racism and sexism. In 1999, the year this artwork was created, John Howard issued a 'statement of sincere regret' over the forced removal of Aboriginal children from their families, failing to make an official apology. Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. (2014). Notes to Basquiat: Australiana 1998 Professor of Art Theory and Fine Art, Griffith University. signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. In the open letter to Jean-Michel Basquiat, Bennett continues: To some, writing a letter to a person post-humously may seem very tacky and an attempt to gain some kind of attention, even 'steal' your 'crown'. Underlying this dialogue with Basquiat Bennett's need to re-contextualise the issues that he has explored throughout his artistic career, confronting them within a global context. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. About; About. For example, expressionism features in the highly visceral Outsider (1988), which replays Van Goghs Starry Night. At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia In Gordon Bennett's splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word 'mono' in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a 'monoculture'. Gordon BennettPossession Island (Abstraction) 1991oil and acrylic on canvas182 x 182cmCollection: Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2016 The Estate of Gordon Bennett. Synthetic polymer paint on paper Look more closely, however, you can see paintings by the 'real' Bennett displayed on the walls. APT3 - Artist's Work - Gallery of Modern Art, Brisbane Sold for $44,400 (inc. BP) in Auction 3 - 29 November 2007, Melbourne. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiats own art.
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